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Behringer K-2 MK II Analog & Semi-Modular Desktop Synth (Eurorack Format)

Behringer K-2 MK II analog and semi-modular desktop synthesizer with dual VCOs, flexible VCF/VCA design, OSC sync, FM, PWM, and Eurorack compatibility.

Ideal for analog basses, leads, modular patching, sound design, electronic production, and live synth performance.

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  • Warranty 1 year
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Description

Behringer K-2 MK II Analog & Semi-Modular Desktop Synthesizer

The Behringer K-2 MK II is an analog and semi-modular desktop synthesizer built for musicians, producers, sound designers, and modular synth users who want classic analog tone with modern flexibility. With a pure analog signal path, dual VCO design, versatile filtering, expanded CV/Gate support, OSC sync, FM, PWM, and Eurorack compatibility, the K-2 MK II gives you deep sound-shaping power in a compact desktop format.

Available from Audio Shop Australia, the Behringer K-2 MK II is a strong choice for Australian synth users, electronic producers, live performers, and modular enthusiasts in Sydney, Melbourne, Brisbane, Perth, Adelaide, Gold Coast, Canberra, Newcastle, and the Sunshine Coast who want expressive analog sound for studio and stage use.

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Pure Analog Sound with Semi-Modular Flexibility

The K-2 MK II is designed around a pure analog signal path with authentic VCO, VCF, and VCA-style circuitry. Its dual VCO design gives you powerful tone generation for thick basses, expressive leads, drones, effects, experimental textures, and classic analog sequences.

This MK II version expands creative control with OSC sync, FM, PWM, and V/Oct. support across CV/Gate in/outs. Whether you are working from a desktop synth setup or integrating into a modular system, the K-2 MK II offers a wide sound palette with hands-on control and deep patching potential.


Dual VCOs, Versatile Filtering & Creative Modulation

The Behringer K-2 MK II gives you two voltage controlled oscillators with multiple waveform options for detailed sound design. VCO 1 includes triangle, reverse-sawtooth, noise, and pulse options, while VCO 2 offers reverse-sawtooth, square, narrow pulse, and ring-based tones. The VCO mixer lets you blend oscillator levels to create everything from simple analog tones to complex and aggressive textures.

Its flexible filter section combines high-pass and low-pass filtering, giving you detailed control over low-end weight, upper harmonic content, and peak emphasis. The modulation generator, envelope sections, and extensive CV connections allow you to create evolving sounds, rhythmic movement, expressive sweeps, and experimental patches with real analog character.


Eurorack Ready & Poly Chain Capable

The K-2 MK II is ready for both desktop use and Eurorack integration, making it suitable for hybrid studios, modular systems, and live performance rigs. Its semi-modular design gives you immediate sound creation without patching, while still offering extensive patch points for advanced routing and custom sound design.

Although the K-2 MK II is monophonic, its 16-note Poly Chain function allows multiple compatible units to be linked for expanded polyphonic performance. This makes it a versatile instrument for users who want classic analog tone today with room to grow their setup over time.


Ideal For

The Behringer K-2 MK II is ideal for electronic producers, modular synth users, sound designers, live performers, ambient artists, techno producers, film composers, and hardware synth enthusiasts. It is a great fit for analog studio rigs in Melbourne, electronic production setups in Sydney, modular users in Brisbane, and creative studios across Perth, Adelaide, Gold Coast, Canberra, Newcastle, and the Sunshine Coast.

Use it for analog bass lines, lead sounds, drones, evolving effects, modular patching, experimental textures, filter sweeps, vintage-style sequences, and expressive live synth performance.


Why Buy from Audio Shop Australia?

Audio Shop Australia supplies quality audio gear for musicians, producers, DJs, performers, studios, venues, and creators across Australia. We focus on practical, creative, and performance-ready equipment that helps customers build better studio, stage, and production setups.

We support customers Australia-wide, including Sydney, Melbourne, Brisbane, Perth, Adelaide, Gold Coast, Canberra, Newcastle, and the Sunshine Coast, with reliable service and audio solutions suited to modern music production and performance.


Professional CTA

Create bold analog basses, expressive leads, modular textures, and vintage-inspired sound design with the Behringer K-2 MK II from Audio Shop Australia. Order today and add a powerful semi-modular analog synthesizer to your studio, Eurorack system, or live performance rig.

About brand
Behringer is known for affordable, high-quality audio gear—from mixers and interfaces to speakers and microphones. Explore top Behringer products at Audio Shop Australia.
Tech Specs
Specification Details
Product Type Analog and semi-modular desktop synthesizer
Format Desktop / Eurorack format
Signal Path Pure analog signal path
Oscillators Dual authentic VCOs
VCO 1 Waveforms Triangle, reverse-sawtooth, noise, pulse
VCO 2 Waveforms Reverse-sawtooth, square, narrow pulse, ring
Filter 6 dB high-pass / 12 dB low-pass filter
MK II Features OSC sync, FM, PWM and V/Oct. for CV/Gate in/outs
Poly Chain 16-note Poly Chain ready
Modulation Frequency 0 to 10, 0.1 to 22 Hz
Modulation Waveform Sawtooth variation and pulse width variation
Frequency Modulation (MG/T.EXT) 0 to 10
Frequency Modulation (EG1/EXT) 0 to 10
High Pass Filter Cutoff Modulation MG/T.EXT: 0 to 10; EG2/EXT: 0 to 10
Low Pass Filter Cutoff Modulation MG/T.EXT: 0 to 10; EG2/EXT: 0 to 10
Envelope Generator 1 Delay: 0 to 5.5 s; Attack: 3.0 ms to 16 s; Release: 30 ms to 16 s
Envelope Generator 2 Hold: 0 to 14 s; Attack: 5.4 ms to 9 s; Decay: 0.5 ms to 15 s; Sustain: 0 to 10; Release: 40 ms to 18 s
External Signal Processor Signal level, low cut frequency, high cut frequency, CV adjust and threshold level controls, 0 to 10
External Signal Processor I/O Signal in with Auto Pad System; amplifier out; band pass filter out; F-V converter out; envelope follower out; trigger out
Output Section Volume control: 0 to 10
Sample and Hold I/O Sample and Hold In: 5 Vpp; Sample and Hold Out: 5 Vpp; Clock In: to GND
VCA I/O VCA In: -5 V to +5 V; VCA Out: -5 V to +5 V; VCA Control Input: 0 to +5 V
Noise Generator Outputs Pink noise out: 5 Vpp; White noise out: 5 Vpp
Trigger I/O Trigger switch out, trigger in and trigger out: to GND
VCO CV Inputs VCO 1+2 CV In: 0 to +8 V; VCO 2 CV In: 0 to +8 V; VCO 1+2 Frequency In: -3 V to +3 V
VCA Initial Gain 0 to 5 V
VCF Cutoff Frequency Inputs Low pass VCF: -5 V to +5 V; High pass VCF: -5 V to +5 V
External Signal Input 3 Vpp
Total Input Affects VCOs and VCFs, -5 V to +5 V
Keyboard CV Out 0 to +8 V, exponential
Envelope Generator Outputs EG 1 Out: 0 to +5 V; EG 1 Reverse Out: +5 V to 0; EG 2 Out: -2.5 V to +2.5 V; EG 2 Reverse Out: -2.5 V to +2.5 V
Modulation Outputs Triangular/sawtooth waveform out: 5 Vpp; Pulse/square waveform out: 0 to +5 V
LED Indicators Modulation frequency rate, envelope generator action, peak envelope follower, trigger out and power
Switches Trigger out, momentary

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